Spartacus the slave - the history behind the movie (1960)
Introduction
Spartacus is a 1960 American epic historical drama film directed by Stanley Kubrick, written by Dalton Trumbo, and based on the 1951 novel of the same title by Howard Fast. It is inspired by the life story of Spartacus, the leader of a slave revolt in antiquity, and the events of the Third Servile War. It stars Kirk Douglas in the title role, Laurence Olivier as Roman general and politician Marcus Licinius Crassus, Peter Ustinov, who won an Academy Award for Best Supporting Actor, as slave trader Lentulus Batiatus, John Gavin as Julius Caesar, Jean Simmons as Varinia, Charles Laughton as Sempronius Gracchus, and Tony Curtis as Antoninus.
Douglas, whose company Bryna Productions was producing the film, removed original director Anthony Mann after the first week of shooting. Kubrick, with whom Douglas had worked before, was brought on board to take over direction. It was the only film directed by Kubrick where he did not have complete artistic control. Screenwriter Dalton Trumbo was blacklisted at the time as one of the Hollywood Ten. Douglas publicly announced that Trumbo was the screenwriter of Spartacus, and President-elect John F. Kennedy crossed American Legion picket lines to view the film, helping to end blacklisting; Howard Fast was also blacklisted, and originally had to self-publish it.
Who was actually the historic Spartacus?
The Greek essayist Plutarch describes Spartacus as "a Thracian of Nomadic stock", in a possible reference to the Maedi tribe. Appian says he was "a Thracian by birth, who had once served as a soldier with the Romans, but had since been a prisoner and sold for a gladiator".
Florus described him as one "who, from a Thracian mercenary, had become a Roman soldier, that had deserted and became enslaved, and afterward, from consideration of his strength, a gladiator". The authors refer to the Thracian tribe of the Maedi, which occupied the area on the southwestern fringes of Thrace, along its border with the Roman province of Macedonia – present day south-western Bulgaria. Plutarch also writes that Spartacus' wife, a prophetess of the Maedi tribe, was enslaved with him.
The name Spartacus is otherwise manifested in the Black Sea region. Five out of twenty Kings of the Thracian Spartocid dynasty of the Cimmerian Bosporus and Pontus are known to have borne it, and a Thracian "Sparta" "Spardacus" or "Sparadokos", father of Seuthes I of the Odrysae, is also known.
According to the differing sources and their interpretation, Spartacus was a captive taken by the legions. Spartacus was trained at the gladiatorial school (ludus) near Capua belonging to Lentulus Batiatus. He was a heavyweight gladiator called a murmillo. These fighters carried a large oblong shield (scutum), and used a sword with a broad, straight blade (gladius), about 18 inches long. In 73 BC, Spartacus was among a group of gladiators plotting an escape.
About 70 slaves were part of the plot. Though few in number, they seized kitchen utensils, fought their way free from the school, and seized several wagons of gladiatorial weapons and armour. The escaped slaves defeated soldiers sent after them, plundered the region surrounding Capua, recruited many other slaves into their ranks, and eventually retired to a more defensible position on Mount Vesuvius.
Once free, the escaped gladiators chose Spartacus and two Gallic slaves—Crixus and Oenomaus—as their leaders. Although Roman authors assumed that the escaped slaves were a homogeneous group with Spartacus as their leader, they may have projected their own hierarchical view of military leadership onto the spontaneous organization, reducing other slave leaders to subordinate positions in their accounts.
The response of the Romans was hampered by the absence of the Roman legions, which were already engaged in fighting a revolt in Spain and the Third Mithridatic War. Furthermore, the Romans considered the rebellion more of a policing matter than a war. Rome dispatched militia under the command of praetor Gaius Claudius Glaber, who besieged Spartacus and his camp on Mount Vesuvius, hoping that starvation would force Spartacus to surrender. They were surprised when Spartacus, who had made ropes from vines, climbed down the cliff side of the volcano with his men and attacked the unfortified Roman camp in the rear, killing most of them.
The rebels also defeated a second expedition, nearly capturing the praetor commander, killing his lieutenants and seizing the military equipment. With these successes, more and more slaves flocked to the Spartacan forces, as did "many of the herdsmen and shepherds of the region", swelling their ranks to some 70,000.
In these altercations Spartacus proved to be an excellent tactician, suggesting that he may have had previous military experience. Though the rebels lacked military training, they displayed a skilful use of available local materials and unusual tactics when facing the disciplined Roman armies. They spent the winter of 73–72 BC training, arming and equipping their new recruits, and expanding their raiding territory to include the towns of Nola, Nuceria, Thurii and Metapontum. The distance between these locations and the subsequent events indicate that the slaves operated in two groups commanded by the remaining leaders Spartacus and Crixus.
In the spring of 72 BC, the rebels left their winter encampments and began to move northward. At the same time, the Roman Senate, alarmed by the defeat of the praetorian forces, dispatched a pair of consular legions under the command of Lucius Gellius Publicola and Gnaeus Cornelius Lentulus Clodianus. The two legions were initially successful—defeating a group of 30,000 rebels commanded by Crixus near Mount Garganus—but then were defeated by Spartacus. These defeats are depicted in divergent ways by the two most comprehensive (extant) histories of the war by Appian and Plutarch.
Alarmed at the continued threat posed by the slaves, the Senate charged Marcus Licinius Crassus, the wealthiest man in Rome and the only volunteer for the position, with ending the rebellion. Crassus was put in charge of eight legions, approximately 40,000 trained Roman soldiers, which he treated with harsh, even brutal, discipline, reviving the punishment of unit decimation. When Spartacus and his followers, who for unclear reasons had retreated to the south of Italy, moved northward again in early 71 BC, Crassus deployed six of his legions on the borders of the region and detached his legate Mummius with two legions to maneuver behind Spartacus. Though ordered not to engage the rebels, Mummius attacked at a seemingly opportune moment but was routed. After this, Crassus's legions were victorious in several engagements, forcing Spartacus farther south through Lucania as Crassus gained the upper hand. By the end of 71 BC, Spartacus was encamped in Rhegium (Reggio Calabria), near the Strait of Messina.
According to Plutarch, Spartacus made a bargain with Cilician pirates to transport him and some 2,000 of his men to Sicily, where he intended to incite a slave revolt and gather reinforcements. However, he was betrayed by the pirates, who took payment and then abandoned the rebels. Minor sources mention that there were some attempts at raft and shipbuilding by the rebels as a means to escape, but that Crassus took unspecified measures to ensure the rebels could not cross to Sicily, and their efforts were abandoned. Spartacus's forces then retreated toward Rhegium. Crassus's legions followed and upon arrival built fortifications across the isthmus at Rhegium, despite harassing raids from the rebels. The rebels were now under siege and cut off from their supplies.
At this time, the legions of Pompey returned from Hispania and were ordered by the Senate to head south to aid Crassus. While Crassus feared that Pompey's arrival would cost him the credit, Spartacus unsuccessfully tried to reach an agreement with Crassus. When Crassus refused, a portion of Spartacus's forces fled toward the mountains west of Petelia (modern Strongoli) in Bruttium, with Crassus's legions in pursuit.
When the legions managed to catch a portion of the rebels separated from the main army, discipline among Spartacus's forces broke down as small groups independently attacked the oncoming legions. Spartacus now turned his forces around and brought his entire strength to bear on the legions in a last stand, in which the rebels were routed completely, with the vast majority of them being killed on the battlefield.
The final battle that saw the assumed defeat of Spartacus in 71 BC took place on the present territory of Senerchia on the right bank of the river Sele in the area that includes the border with Oliveto Citra up to those of Calabritto, near the village of Quaglietta, in the High Sele Valley, which at that time was part of Lucania. In this area, since 1899, there have been finds of armour and swords of the Roman era.
Plutarch, Appian and Florus all claim that Spartacus died during the battle, but Appian also reports that his body was never found. Six thousand survivors of the revolt captured by the legions of Crassus were crucified, lining the Appian Way from Rome to Capua.
Objectives
Classical historians were divided as to the motives of Spartacus. None of Spartacus's actions overtly suggest that he aimed at reforming Roman society or abolishing slavery.
Plutarch writes that Spartacus wished to escape north into Cisalpine Gaul and disperse his men back to their homes. If escaping the Italian peninsula was indeed his goal, it is not clear why Spartacus turned south after defeating the legions commanded by the consuls Lucius Publicola and Gnaeus Clodianus, which left his force a clear passage over the Alps.
Appian and Florus write that he intended to march on Rome itself. Appian also states that he later abandoned that goal, which might have been no more than a reflection of Roman fears.
Based on the events in late 73 BC and early 72 BC, which suggest independently operating groups of escaped slaves and a statement by Plutarch, it appears that some of the escaped slaves preferred to plunder Italy, rather than escape over the Alps.
Casting and Production
Kirk Douglas insisted that Trumbo be given screen credit for his work, which helped to break the blacklist. Trumbo had been jailed for contempt of Congress in 1950, after which he had survived by writing screenplays under assumed names. Douglas's intervention on his behalf was praised as an act of courage.
In his autobiography, Douglas states that this decision was motivated by a meeting that he, Edward Lewis, and Stanley Kubrick had regarding whose name(s) to put against the screenplay in the film credits, given Trumbo's shaky position with Hollywood executives. One idea was to credit Lewis as co-writer or sole writer, but Lewis vetoed both suggestions. Kubrick then suggested that his own name be used. Douglas and Lewis found Kubrick's eagerness to take credit for Trumbo's work revolting, and the next day, Douglas called the gate at Universal saying, "I'd like to leave a pass for Dalton Trumbo." Douglas writes, "For the first time in ten years, [Trumbo] walked on to a studio lot. He said, 'Thanks, Kirk, for giving me back my name.'"
Blacklisting effectively ended in 1960 when it lost credibility. Trumbo was publicly given credit for two major films. Otto Preminger made public that Trumbo wrote the screenplay for his film Exodus, and Kirk Douglas publicly announced that Trumbo was the screenwriter of Spartacus. Further, President John F. Kennedy publicly ignored a demonstration organized by the American Legion and went to see the film.
After David Lean turned down an offer to direct, Spartacus was to be directed by Anthony Mann, then best known for his Westerns such as Winchester '73 and The Naked Spur. Douglas fired Mann at the end of the first week of shooting, in which the opening sequence in the quarry had been filmed. "He seemed scared of the scope of the picture," wrote Douglas in his autobiography; yet a year later Mann would embark on another epic of similar size, El Cid. The dismissal (or resignation) of Mann is mysterious since the opening sequences, filmed at Death Valley, Nevada, set the style for the rest of the film. Large parts of the film were shot at Wildwood Regional Park in Thousand Oaks, California. Parts were also filmed at nearby California Lutheran University, where an army can be seen storming off Mount Clef Ridge.
Thirty-year-old Stanley Kubrick was hired to take over. He had already directed four feature films (including Paths of Glory, also starring Douglas). Spartacus was a bigger project by far, with a budget of $12 million (equivalent to approximately $105 million in today's funds) and a cast of 10,500, a daunting project for such a young director. Paths of Glory, his previous film, had only been budgeted at $935,000.
Spartacus was filmed using the 35 mm Super 70 Technirama format and then blown up to 70 mm film. This was a change for Kubrick, who preferred using the standard spherical format. This process allowed him to achieve ultra-high definition and to capture large panoramic scenes. Kubrick had wanted to shoot the picture in Rome with cheap extras and resources, but Edward Muhl, president of Universal Pictures, wanted to make an example of the film and prove that a successful epic could be made in Hollywood itself and "stem the flood of 'runaway' producers heading for Europe". A compromise was reached by filming the intimate scenes in Hollywood, and the battle scenes, at Kubrick's request, in Spain. Kubrick found working outdoors or in real locations to be distracting; he believed the actors would benefit more from working on a sound stage, where they could fully concentrate. To create the illusion of the large crowds that play such an essential role in the film, Kubrick's crew used three-channel sound equipment to record 76,000 spectators at a Michigan State – Notre Dame college football game shouting "Hail, Crassus!" and "I'm Spartacus!"
The battle scenes were filmed on a vast plain outside Madrid. Eight thousand trained soldiers from the Spanish infantry were used to double as the Roman army. Kubrick directed the armies from the top of specially constructed towers. However, he eventually had to cut all but one of the gory battle scenes, due to negative audience reactions at preview screenings. So precise was Kubrick, that even in arranging the bodies of the slaughtered slaves he had each "corpse" assigned with a number and instructions.
Disputes broke out during the filming. Cinematographer Russell Metty, a veteran with experience working in big pictures such as Orson Welles' The Stranger (1946) and Touch of Evil (1958) and Howard Hawks's Bringing Up Baby (1938), complained about Kubrick's unusually precise and detailed instructions for the film's camerawork and disagreed with Kubrick's use of light. On one occasion he threatened to quit to Ed Muhl, to which Kubrick told him: "You can do your job by sitting in your chair and shutting up. I'll be the director of photography." Metty later muted his criticisms after winning the Oscar for Best Cinematography. Kubrick wanted to shoot at a slow pace of two camera set-ups a day, but the studio insisted that he do 32; a compromise of eight had to be made. Kubrick and Trumbo fought constantly over the screenplay. Kubrick complained that the character of Spartacus had no faults or quirks.
Despite the film being a huge box office success, gaining four Oscars, and being considered to rank among the very best of historical epics, Kubrick disowned it, and did not include it as part of his canon. Although his personal mark is a distinct part of the final picture, his contract did not give him complete control over the filming, the only occasion he did not exercise such control over one of his films.[29]
Casting and Production
Douglas,
whose company Bryna Productions was producing the film, removed original
director Anthony Mann after the first week of shooting. Kubrick, with whom
Douglas had worked before, was brought on board to take over direction. It was
the only film directed by Kubrick where he did not have complete artistic
control. Screenwriter Dalton Trumbo was blacklisted at the time as one of the
Hollywood Ten. Douglas publicly announced that Trumbo was the screenwriter of
Spartacus, and President-elect John F. Kennedy crossed American Legion picket
lines to view the film, helping to end blacklisting; Howard Fast was also
blacklisted, and originally had to self-publish it. The
development of Spartacus was partly instigated by Kirk Douglas's failure to win
the title role in William Wyler's Ben-Hur. Douglas had worked with Wyler before
on Detective Story, and was disappointed when Wyler chose Charlton Heston
instead. Shortly after, Edward (Eddie) Lewis, a vice president in Douglas's
film company, Bryna Productions (named after Douglas's mother), had Douglas
read Howard Fast's novel, Spartacus, which had a related theme—an individual
who challenges the might of the Roman Empire—and Douglas was impressed enough
to purchase an option on the book from Fast with his own financing. Universal
Studios eventually agreed to finance the film after Douglas persuaded Olivier,
Laughton, and Ustinov to act in it. Lewis became the producer of the film, with
Douglas taking executive producer credit. Lewis subsequently produced other films for Douglas.[4]
Kirk Douglas insisted that Trumbo be given screen credit for his work, which helped to break the blacklist. Trumbo had been jailed for contempt of Congress in 1950, after which he had survived by writing screenplays under assumed names. Douglas's intervention on his behalf was praised as an act of courage.
In his autobiography, Douglas states that this decision was motivated by a meeting that he, Edward Lewis, and Stanley Kubrick had regarding whose name(s) to put against the screenplay in the film credits, given Trumbo's shaky position with Hollywood executives. One idea was to credit Lewis as co-writer or sole writer, but Lewis vetoed both suggestions. Kubrick then suggested that his own name be used. Douglas and Lewis found Kubrick's eagerness to take credit for Trumbo's work revolting, and the next day, Douglas called the gate at Universal saying, "I'd like to leave a pass for Dalton Trumbo." Douglas writes, "For the first time in ten years, [Trumbo] walked on to a studio lot. He said, 'Thanks, Kirk, for giving me back my name.'"
Blacklisting effectively ended in 1960 when it lost credibility. Trumbo was publicly given credit for two major films. Otto Preminger made public that Trumbo wrote the screenplay for his film Exodus, and Kirk Douglas publicly announced that Trumbo was the screenwriter of Spartacus. Further, President John F. Kennedy publicly ignored a demonstration organized by the American Legion and went to see the film.
After David Lean turned down an offer to direct, Spartacus was to be directed by Anthony Mann, then best known for his Westerns such as Winchester '73 and The Naked Spur. Douglas fired Mann at the end of the first week of shooting, in which the opening sequence in the quarry had been filmed. "He seemed scared of the scope of the picture," wrote Douglas in his autobiography; yet a year later Mann would embark on another epic of similar size, El Cid. The dismissal (or resignation) of Mann is mysterious since the opening sequences, filmed at Death Valley, Nevada, set the style for the rest of the film. Large parts of the film were shot at Wildwood Regional Park in Thousand Oaks, California. Parts were also filmed at nearby California Lutheran University, where an army can be seen storming off Mount Clef Ridge.
Thirty-year-old Stanley Kubrick was hired to take over. He had already directed four feature films (including Paths of Glory, also starring Douglas). Spartacus was a bigger project by far, with a budget of $12 million (equivalent to approximately $105 million in today's funds) and a cast of 10,500, a daunting project for such a young director. Paths of Glory, his previous film, had only been budgeted at $935,000.
Spartacus was filmed using the 35 mm Super 70 Technirama format and then blown up to 70 mm film. This was a change for Kubrick, who preferred using the standard spherical format. This process allowed him to achieve ultra-high definition and to capture large panoramic scenes. Kubrick had wanted to shoot the picture in Rome with cheap extras and resources, but Edward Muhl, president of Universal Pictures, wanted to make an example of the film and prove that a successful epic could be made in Hollywood itself and "stem the flood of 'runaway' producers heading for Europe". A compromise was reached by filming the intimate scenes in Hollywood, and the battle scenes, at Kubrick's request, in Spain. Kubrick found working outdoors or in real locations to be distracting; he believed the actors would benefit more from working on a sound stage, where they could fully concentrate. To create the illusion of the large crowds that play such an essential role in the film, Kubrick's crew used three-channel sound equipment to record 76,000 spectators at a Michigan State – Notre Dame college football game shouting "Hail, Crassus!" and "I'm Spartacus!"
The battle scenes were filmed on a vast plain outside Madrid. Eight thousand trained soldiers from the Spanish infantry were used to double as the Roman army. Kubrick directed the armies from the top of specially constructed towers. However, he eventually had to cut all but one of the gory battle scenes, due to negative audience reactions at preview screenings. So precise was Kubrick, that even in arranging the bodies of the slaughtered slaves he had each "corpse" assigned with a number and instructions.
Disputes broke out during the filming. Cinematographer Russell Metty, a veteran with experience working in big pictures such as Orson Welles' The Stranger (1946) and Touch of Evil (1958) and Howard Hawks's Bringing Up Baby (1938), complained about Kubrick's unusually precise and detailed instructions for the film's camerawork and disagreed with Kubrick's use of light. On one occasion he threatened to quit to Ed Muhl, to which Kubrick told him: "You can do your job by sitting in your chair and shutting up. I'll be the director of photography." Metty later muted his criticisms after winning the Oscar for Best Cinematography. Kubrick wanted to shoot at a slow pace of two camera set-ups a day, but the studio insisted that he do 32; a compromise of eight had to be made. Kubrick and Trumbo fought constantly over the screenplay. Kubrick complained that the character of Spartacus had no faults or quirks.
Despite the film being a huge box office success, gaining four Oscars, and being considered to rank among the very best of historical epics, Kubrick disowned it, and did not include it as part of his canon. Although his personal mark is a distinct part of the final picture, his contract did not give him complete control over the filming, the only occasion he did not exercise such control over one of his films.[29]
Reccension of the movie
The film won four Academy Awards and became the biggest moneymaker in Universal Studios' history, until it was surpassed by Airport (1970). In 2017, it was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant.
Source
Wikipedia.org
Source
Wikipedia.org
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